"Off The Tracks" (7:41) despite the great Tony Levin-like bass play here and some truly incredible instrumental Over some very complex constructed and performed music. "Oasis" (3:01) there's almost a BASIA joy and feel in the vocal here as well as some very pretty melody-making Moorea Dickason MOE-TAR feel and sound to it. "AYA" (6:47) a funky (clavinet), almost RUFUS-like song that has an unmistakable similarity to the vocal stylingsĪnd musical eclecticism of Courtney Swain and BENT KNEE for its first half. Lead vocalistĬhrissie Loftus uses a softer, breathier approach on this one than on most of the other songs here. "Brand New" (5:48) a pleasant, very melodic, tempo-shifting song with orchestral support that puts on displayįrom the very start the band's foundation in intricately layered, well composed and executed jazz rock. Player, Jordan Berger, not being in the lineup for the first album.ġ. The band membership has remained fairly solid over those ten years with only virtuoso bass Is so often captured in an album of fresh energy of a new collaboration, this one has some of that raw AMANDA Though the debut has a bit of that raw, excited sound that How to Accept, or their eponymously titled 2009 album. This a much better produced album than both their 2006 debut, Guitarist/songwriter Matt Hollenberg, what we have here is another jazz-leaning, progressive rock album fromĮminently creative and competent instrumentalists in the vein of JEREMEY POPARAD's AXON-NEURON and theįunky jazziness of North Carolina's UNAKA PRONG.
Genres of music (including a solo album of piano-based soft-jazz vocal covers, Young Hearts)-and The leadership of experienced torch singer, CHRISSIE LOFTUS-who took some time in the early 2010s to try other INFiNiEN is back! This new release, the band's third album, comes from Philadelphia quartet iNFiNiEN.
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